Senator Joseph R. McCarthy Essay example -- Essays Papers

Representative Joseph R. McCarthy Despite the fact that he had humble beginnings, Joseph Raymond McCarthy, a solitary man, made a significant impact on the whole United States during his profession. By following his life and what molded McCarthy as an individual, a more extensive picture is brought into the extent of the reason for his fraudulent allegations. In the year 1908, in the upper east area of Wisconsin on a battling ranch, an ardent Roman Catholic couple brought a their child, Joseph Raymond, into the world. The McCarthy’s, an Irish-American family, were persevering and enterprising on their homestead in a rustic territory of Wisconsin. Joseph went to a one-room school building as a kid. He was noted to be a savvy youngster, and completed evaluation school early. He was seen as an overflowing, active youngster who was now and then in any event, threatening to other kids due to his forcefulness and propensity to start quarrel for amusement only. Jospeh began his own chicken homestead and in the blink of an eye by any means, turned out to be effective in his business. Quite a long while later, in any case, his karma took a terrible turn and he needed to surrender it. He began working at a supermarket in Appleton, where he climbed to a supervisor position and was moved to a store in Manawa, Wisconsin. In Manawa, Joseph made the store a tremendous achievement. He acquired a wide range of clients by circumventing town and the entirety of his thoughtfulness regarding his clients. It was not long after his exchange that he chose to return to class. McCarthy put such a great amount of exertion into his examinations that he finished secondary school in one year, even with extra curricular exercises like climbing and b-ball and school committies. He proceeded to Marquette University in the fall... ... States Army and lost. He was defamed and Congress took a decision on whether to boot McCarthy out of office. He didn't lose his seat, however McCarthy's vocation was on the decrease. After the vote, McCarthy was persistently cut by the White House, senatorial panels and the press. Because of absence of the open consideration he required, McCarthy went to an old propensity for his - drinking. Over the late spring in 1956, McCarthy was more than once hospitalized for detoxification, and in 1957, was conceded by and by for liver sickness because of liquor misuse. At 49 years old, on May 2, Senator Joseph R. McCarthy kicked the bucket in Bethesda Naval Hospital. Works Cited Klingaman, William K., Encyclopedia of the McCarthy Era. New York: Facts on File, c1996. Reeves, Thomas C., The Life and Times of Joe McCarthy: a life story/Thomas C. Reeves. NewYork: Stein and Day, 1982.

Critical Analysis: Life of Pi

By looking at the novel Life of Pi, the three section novel by Yann Martel, one can watch the mind of a man who has experienced a loathsome catastrophe that has influenced his life dramatically.â Martel picked the varying setting of India, Canada, the Pacific Ocean, and quickly in Mexico during the nineteen seventies.â From the clashing societies of the setting, the hero, Pi must arrangement with numerous misfortunes, yet he has endure all of them.â The epic is described in first individual with Pi assuming the job of storyteller. This gives an understanding into the working of Pi’s mind.â A special look at how an individual reacts to the errand of endurance makes one miracle how he/she would react in a comparable situation.â It additionally shows what an individual will do to manage the occasions that are simply too frightful to even consider accepting. The plot is told in flashback and as an encircled story.â The article is set up ahead of schedule in the novel.â We discover that Pi is a man from India who currently dwells in Canada.â It is evident that there has been some catastrophe in his life, yet it isn't uncovered until later.â Pi is hitched with a child and daughter.â The writer finds that he has an enthusiasm for cooking with loads of flavors. This could be a route for him to associate with his past in India.â He utilizes such huge numbers of layers of flavors that it is simply unreasonably exceptional for the author.â His excessively zesty food is emblematic of his past.â Pi has endured his conditions, yet it is simply unreasonably unfortunate for others to have the option to identify.â As section one unfurls, Pi relates the historical backdrop of his youth in India.â His dad had run the Pondicherry Zoo, and that is the place he finds out about the idea of creatures just as how human instinct can resemble animals.â Pi is persuaded that the creatures are in an ideal situation in the zoo that in the wild since somebody must deal with them.â He additionally learns the manner in which a human can accomplish predominance over them. The contention of the novel is set up in the excursion to his new home and the totally extraordinary culture he will encounter.â Pi’s family is murdered in a wreck and he is the solitary survivor.â He should now battle the powers of nature to remain alive.â Then he should figure out how to bargain the occasions that he has endured.â Another contention in the story manages religion. Pi was naturally introduced to a Hindu family and all through the novel he expresses that he sees himself as basically a Hindu.â Along the way, he found Christianity and a minister persuaded him that he expected to turn into a Christian and Pi agrees.â His folks go to his immersion despite the fact that they don't acknowledge the religion.â Finally Pi meets a Muslim and is convinced to change over to Islam.â Again he grasps another religion.â Pi concludes that he can be the entirety of the religions. The rising activity of the novel rapidly becomes apparent when Pi starts to relate his journey to Canada.â His dad concludes that the family should move as a result of political turmoil in their homeland.â Most of the creatures are sold and the ones that couldn’t be sold are taken of the vessel with the family.â After a mishap, the pontoon sinks.â Pi, in any case, is the just one from his family to endure the shipwreck.â He and a zebra escape on a raft, however the zebra is harmed in the fall. Not long after the raft falls into the water, Pi detects his father’s tiger, Richard Parker.â The human name of the tiger is emblematic of the bestial impulse of man.â The three survivors are before long joined by a hyena and an Orangutan.â At first the entirety of the creatures exist together with each other.â It isn't some time before the hyena bites the leg of zebra for a meal.â He at that point essentially eats the creature alive.â The imagery of the viciousness of endurance is obvious in this occurrence. The hyena before long turns on the Orangutan and executes her as she is searching for her two sons.â Pi is flabbergasted how human like she behaves.â Pi and Richard Parker become fatigued and dehydrated.â Pi figures out how to fish and make drinking water out of ocean water.â He utilizes his essential senses for his survival.â The tiger at last murders the hyena, and despite the fact that Pi is happy that the hyena is gone, he gets frightful of the tiger.â He understands that he should pick up strength of the creature. He turns to the information he picked up at his father’s zoo.â Pi and Richard Parker are joined by another man and keeping in mind that Pi is enduring transitory visual deficiency due to dehydration.â After fighting yearning, absence of water, and the components of nature, Pi’s raft comes aground in Mexico.â Richard Parker escapes into a lush region and Pi is taken to the clinic. Two Japanese authorities go to the emergency clinic to talk with Pi to pick up data about the sinking of their ship.â He describes the entire story of the sinking and his endurance on the lifeboat.â After they tune in to the story they leave to examine the data they have simply received.â They return after a brief time and advise Pi that they don't accept his story. He at that point relates the account of his endurance just substitutes people for the animals.â They are astonished and he at that point asked them which story they prefer.â The men concede that the one with the creatures was simpler to accept.â It is then that the peak becomes evident.â The entire story of the creatures was made up by Pi so he could manage the occasions that had happened to him.â The zebra had been a mariner, the hyena was a crazy cook, and the orangutan was Pi’s mother.â Richard Parker is emblematic ofâ Pi’s creature instincts.â He at last picks up strength over them and it is his creature impulses that can alone assistance him endure. The falling activity comes about when the two Japanese authorities compose their report.â They understand that Pi has no information that can really assist them with understanding the disaster area of their vessel.â They settle that Pi’s endurance with a fierce tiger was one of a kind story.â They, alongside Pi, did what they needed to do in their brain to have the option to acknowledge what had really occurred. Pi is a character that encapsulates the entire thought of survival.â All individuals experience affliction, and all need to figure out how to survive.â Many occasions it is painful.â An individual must come to holds in his/her own brain with what they should acknowledge to proceed with day by day life.â Martel mulls over this when composing this story.â Not just does he connect with the peruser by utilizing tension and the component of shock, yet he instructs humanity that we do what we need to do to adapt. He likewise mentions that despite the fact that people have made significant progress with their logical information and innovation yet they despite everything have carnal senses with regards to survival.â He could have set the story in the far off past, however rather he set it in the ongoing past.â There was a huge measure of mechanical and logical information in the nineteen seventies.  If our general public were to lose our advanced accommodations in a cataclysmic event, individuals would at present return to their impulses for proceeded with presence. Works Cited Martel, Yann.â Life of Pi.â Canada: Random House of Canada, 2001.

W3,DQ-4 Essay Example | Topics and Well Written Essays - 250 words

W3,DQ-4 - Essay Example Logical improvement is the total development of an information framework after some time where helpful components are held, and non-valuable components are abandoned established in the check or dismissal of testable information (Zwick and Cayla, 2011). Social advancement is inseparably associated with both mechanical and logical advancement. Culture normally concerns considerably more than just science and innovation, however for Merck to be dynamic, it needs to meet the above clarification of combined development through saying thanks to the past (Zwick and Cayla, 2011). In science, valuable components are held, and non-helpful components are disposed of through the confirmation or excusal of testable information. Merck, subsequently, ought to think about that logical techniques, along these lines, are made to be dynamic (Gilbert and Sarkar, 2005). In innovation, then again, helpful components are protected and non-valuable components are disposed of established in the marketâ€℠¢s dismissal or endorsement of the advances. The market for science is mostly the network of researchers, yet for innovation, the market is primarily Merck’s stuff. With the end goal for Merck to be effective, they have to underwrite science and innovation profoundly to maintain a strategic distance from such wrangles (Zwick and Cayla, 2011). Most importantly, the enterprise is based on a firm logical drove culture; thusly, they should work to guarantee that this goal is

Beloved by Morrison :: Morrison Beloved Essays

Cherished by Morrison It is a definitive signal of a caring mother. It is the preposterous case of a slave(Morrison 1987). These are the words that Toni Morrison used to depict the activities of the focal character inside the novel, Beloved. That character, Sethe, is introduced as a previous slave lady who decides to murder her child young lady instead of permitting her to be presented to the genuinely, inwardly, and profoundly severe abhorrences of a real existence spent in servitude. Sethe's activity is unquestionable: She has slaughtered her youngster. Sethe's inspiration isn't so plainly characterized. By murdering her Cherished youngster, has Sethe carried on of genuine romance or childish pride? The way that Sethe's demonstration is silly can without much of a stretch be chosen. Does Sethe execute her infant young lady since she needs to spare the child from subjugation or does Sethe end her girl's life due to a narrow minded refusal to reappear an existence of bondage? By analyzing the complexities of Sethe's character it very well may be said that she is a lady who decides to adore her kids yet not herself. Sethe murders her infant on the grounds that, in Sethe's brain, her youngsters are the main acceptable and unadulterated piece of what her identity is and should be shielded from the mercilessness and the lack of sanitization of slavery(Morrison 251). In this regard, her demonstration is that of affection for her kids. The narrow-mindedness of Sethe's demonstration lies in her refusal to acknowledge moral duty regarding her child's demise. Sethe's inspiration is dichotomous in that she shows her affection by leniently saving her little girl from a terrible life, yet Sethe won't recognize that her demonstration of benevolence is additionally murder. All through Beloved, Sethe's character reliably shows the duplistic idea of her activities. Not long after Sethe's gathering with Paul D. she depicts her response to School Teacher's appearance: Gracious, no. I wasn't returning there[Sweet Home]. I went to prison instead(Morrison 42). Sethe's words propose that she has made an ethical reserve her refusal to permit herself and her kids to be hauled again into the malevolence of subjugation. From the earliest starting point, unmistakably Sethe accepts that her activities were ethically legitimized. The quirk of her announcement lies in her exclusion of the sickening certainty that her ethical stand depended on the homicide of her kid. By not by any means moving toward the subject of her little girl's passing, it is likewise clarified that Sethe has withdrawn herself from the demonstration. Cherished by Morrison :: Morrison Beloved Essays Cherished by Morrison It is a definitive motion of a caring mother. It is the preposterous case of a slave(Morrison 1987). These are the words that Toni Morrison used to depict the activities of the focal character inside the novel, Beloved. That character, Sethe, is introduced as a previous slave lady who decides to slaughter her infant young lady as opposed to permitting her to be presented to the truly, inwardly, and profoundly abusive detestations of an actual existence spent in subjection. Sethe's activity is unquestionable: She has executed her kid. Sethe's inspiration isn't so obviously characterized. By murdering her Dearest kid, has Sethe carried on of genuine romance or egotistical pride? The way that Sethe's demonstration is nonsensical can without much of a stretch be settled on. Does Sethe slaughter her child young lady since she needs to spare the infant from servitude or does Sethe end her little girl's life as a result of a narrow minded refusal to return an existence of subjugation? By lo oking at the complexities of Sethe's character it tends to be said that she is a lady who decides to cherish her youngsters however not herself. Sethe murders her infant in light of the fact that, in Sethe's psyche, her kids are the main acceptable and unadulterated piece of what her identity is and should be shielded from the brutality and the foulness of slavery(Morrison 251). In this regard, her demonstration is that of adoration for her youngsters. The narrow-mindedness of Sethe's demonstration lies in her refusal to acknowledge moral duty regarding her child's demise. Sethe's inspiration is dichotomous in that she shows her adoration by benevolently saving her little girl from an awful life, yet Sethe will not recognize that her demonstration of kindness is likewise murder. All through Beloved, Sethe's character reliably shows the duplistic idea of her activities. Not long after Sethe's gathering with Paul D. she depicts her response to School Teacher's appearance: Gracious, no . I wasn't returning there[Sweet Home]. I went to prison instead(Morrison 42). Sethe's words propose that she has made an ethical backup her refusal to permit herself and her youngsters to be hauled once again into the wickedness of subjugation. From the earliest starting point, unmistakably Sethe accepts that her activities were ethically defended. The quirk of her announcement lies in her oversight of the shocking certainty that her ethical stand depended on the homicide of her youngster. By not in any case moving toward the subject of her little girl's demise, it is likewise clarified that Sethe has separated herself from the demonstration.

Thanatophobia Diagnosis and Treatment

Thanatophobia Diagnosis and Treatment Phobias Types Print Thanatophobia Diagnosis and Treatment Fear of Death By Lisa Fritscher Lisa Fritscher is a freelance writer and editor with a deep interest in phobias and other mental health topics. Learn about our editorial policy Lisa Fritscher Medically reviewed by Medically reviewed by Steven Gans, MD on August 05, 2016 Steven Gans, MD is board-certified in psychiatry and is an active supervisor, teacher, and mentor at Massachusetts General Hospital. Learn about our Medical Review Board Steven Gans, MD Updated on August 31, 2019 Axel Fassio/Photolibrary / Getty Images More in Phobias Types Causes Symptoms and Diagnosis Treatment In This Article Table of Contents Expand Role of Religion Types of Fears Diagnosis Treatment When to Seek Help View All Back To Top Thanatophobia, or fear of death, is a relatively complicated phobia. Many, if not most, people are afraid of dying. Some people fear being dead, while others are afraid of the actual act of dying. However, if the fear is so prevalent as to affect your daily life, then you might have a full-blown phobia. The Role of Religion Many peoples fear of death is tied to their religious beliefs, particularly if they happen to be going through a period of questioning. Some people think that they know what will happen after death, but worry that they may be wrong. Some believe that the path to salvation is very straight and narrow, and fear that any deviations or mistakes may cause them to be eternally condemned. Religious beliefs are highly personalized, and even a therapist of the same general faith may not fully understand a clients beliefs. If the fear of death is religiously based, it is often helpful to seek supplemental counseling from ones own religious leader. However, this should never be used to replace traditional mental health counseling. How Does Religion Cause Different Phobias? Types of Fears Fear of the Unknown Thanatophobia may also have roots in fears of the unknown. It is part of the human condition to want to know and understand the world around us. What happens after death, however, cannot be unequivocally proven while we are still alive. However, at least one study has found that increasing your emotional intelligence can help you deal with your fear of the unknown, thereby lessening your fear of death.?? Fear of Loss of Control Like knowledge, control is something for which humans strive. Yet the act of dying is utterly outside anyones control. Those who fear loss of control may attempt to hold death at bay through rigorous and sometimes extreme health checks and other rituals. Over time, it is easy to see how people with this type of thanatophobia may be at risk for obsessive-compulsive disorder, hypochondriasis, and even delusional thinking.?? What Is Hypochondriasis? Fear of Pain, Illness, or Loss of Dignity Some people with an apparent fear of death do not actually fear death itself. Instead, they are afraid of the circumstances that often surround the act of dying. They may be afraid of crippling pain, debilitating illness or even the associated loss of dignity. This type of thanatophobia may be identified through careful questioning about the specifics of the fear. Many people with this type of fear also suffer from nosophobia, hypochondriasis, or other somatoform disorders. Concerns About Relatives Many people who suffer from thanatophobia are not nearly as afraid to die as they are of what would happen to their families after their death. Fear of Death in Children A childs fear of death can be devastating to the parent, but may actually be a healthy part of normal development. Children generally lack the defense mechanisms, religious beliefs, and understanding of death that help adults cope. They also do not fully understand time, making it difficult for them to accept that people sometimes leave and come back again.?? These factors can lead children to a muddled and sometimes terrifying concept of what it means to be dead. Whether the fear qualifies as a phobia depends on its severity and the length of time it has been present. Phobias are generally not diagnosed in children until they have been present for more than six months. Related Fears It is not uncommon for people who suffer from thanatophobia to develop related phobias as well. Fears of tombstones, funeral homes, and other symbols of death are common, as they can serve as reminders of the main phobia. Fear of ghosts or other entities is also common, particularly in those whose thanatophobia is based on religious factors. Resources to Help You With Your Phobia Diagnosis As there are so many possible causes and complications, it is important that thanatophobia is diagnosed only by a trained mental health professional. He can ask guided questions and help the sufferer figure out exactly what is going on. She can also recognize the symptoms of related disorders and prescribe the appropriate course of treatment. Treatment The course of treatment largely depends on the clients personal goals for therapy. Is she trying to resolve a religious conflict? Does he simply want to be able to attend Halloween events without panicking? The therapist must first determine the clients expectations before designing a treatment plan. Depending on the circumstances, a variety of talk therapy solutions may be appropriate in the treatment of thanatophobia. These may range from cognitive-behavioral to psychoanalytic therapies. Supplemental religious counseling, medications, and other therapeutic alternatives may also be used in conjunction with therapy. When to Seek Help Whether or not to seek treatment for any phobia is a very personal decision. Regardless of whether you choose to get professional assistance, coping with the fear of death can be an ongoing daily struggle. Unlike many phobias that are triggered by specific incidents, such as seeing a spider, thanatophobia may be constantly at the back of your mind. You may be interested in discussing this phobia with others who share your fear. The Best Online Therapy Programs

Jazz in five points - Free Essay Example

As a Jazz lover and a Coloradan, Ive always wondered about the history of Jazz music in Colorado and particularly in Denver. And so I thought that this was a great opportunity to focus my ethnographic fieldwork project on one of the most famous neighborhoods in Denver, known as the Jazz Mecca of the West, Five Points. To understand the history of Jazz in Five Points one must understand the history of black people in Five Points because thats how it all started. It begun just like almost everywhere in the U.S, in the early 1920s and throughout the 1950s and 1960s as a result of what is commonly known as white flight. The migration of white people from the urban city neighborhoods to the suburban areas due to large influx of black people into those neighborhoods during the Civil Rights Movements until Segregation finally ended in 1965. Black people started to move to Five Points because of Jim Crow laws that prohibited them to live in the same neighborhoods as white people. The neighborhood quickly thrived, like a small city within Denver; with their own schools, restaurants and nightclubs, churches and post office. But above all it became a bastion of musician of all sorts but especially Jazz. During segregation, Five Points was like a city within a city. It was the only place Blacks were allowed to move. Famous singer like Nat King Cole would perform in Denver but could not stay at any downtown hotels. Although they were no Whites Only signs but it was understood that black people would not be served. Despite the rough times of the era with racism and segregation, Five Points became the center of black business and entertainment in the American West. It quickly attracted some of the giants of Jazz music, from Louis Armstrong, Nat King Cole, Duke Ellington to Ella Fitzgerald and Miles Davis. All, performed countless times there with local musicians. On weekends, Welton street was the place to be. It was like the Jazz epicenter of the Rockies, if not the West. It was the place of reference to go, anywhere between Saint Louis and California. It was like what Harlem was to New York, what the French Quarter was to New Orleans. In fact, Five Points was known as the Harlem of th e West. Native famous bands like the Joe Keels Trio, who played for seven U.S. Presidents, saw lights in Five Points. The neighborhood also attracted musicians like Charlie Burrell who was the first black musician to perform at a symphony Orchestra. He is often referred to as the Jackie Robinson of classical music. Hattie McDaniel, the first black woman to win an Academy awards for her role in Gone with the Wind. Classically trained violinist, George Morrison who was considered the Godfather of Jazz in Colorado, performed in front of the King and Queen of England. Morrison owned two night clubs in Five Points, The Casino on Points and The Rock Rest. The people of Five Points were happy and made it what it was back then, a reference in Jazz Music and black success in the West. Five Points is clearly no longer what it was then. With modernization, a more open and accepting society, and rampant gentrification pushing out lifelong residents. I started to wonder what has become of the Denver Jazz scene. Has the Jazz Mecca of the West completely disappeared? Where did all the musicians go? I decided to visit a few Jazz clubs downtown Denver in hopes of finding a local Jazz musician that would give me his perspective on how things were then and how they are now. After seeing him perform a couple of times with his band Le Jazz Machine, I met with Purnell Steen, a Denver native related to Charlie Burrell who made it his mission to preserve the sounds of Five Points. Steen in his seventies, often performs at Dazzle Jazz and is a frequent headliner at the annual Five Points Jazz festival.

Creative Writing Trapped! Essay - 860 Words

She almost floated across the empty, box-like room. A cold shiver relentlessly weaved its way down Emma’s spine as she ran her bony hand down the bleak wall. The fireplace glared at her – its mouth opened wide. The unfamiliar surroundings struck her as if forcing themselves against her weak body –engulfing her. A soft breeze seething its way into the room from the uneven cracks underneath the door meant that the desolate room of openness had become filled with the sigh of the wind. It was as if it was crying, almost howling for its voice to be heard. The young girl slowly ebbed towards the corner of the room. Something had caught her eye – perhaps a sense of relief from the†¦show more content†¦Don’t leave me here†¦ I don’t think I can take it anymore. Almost as soon as she thought things couldn’t get worse, the most terrifying sound rang in her ears. The sudden bolt of the bedroom door unlatching itself made her thin face grow pale. And then she saw him. It was at this point that her imaginings were in fact reality. Draped in a long black coat, stood a man – his eyes pierced her skin as he stared almost straight through her. His face – hidden by the dark layers of shadows – was square and pointed. He lurched forward and seemed to look straight past the young helpless girl. A tight knot in her throat almost strangled her. She screamed†¦but no sound escaped her lips†¦ At first she felt nothing, but then a surge of anger mixed with the overwhelming thoughts of humiliation swept through her body. Wispy tendrils of his hair, brushed against her face, causing her to shiver slightly. She could feel his garments moving against her thin nightgown. She remembered how the night before a gentle touch graced her forehead, a hand, and it moved down her face, tracing her eyes†¦her cheek†¦her mouth. She tried to pull away, as fear began to overwhelm her senses, but he refused to let her go. He pulled her closer to him and she could feel his warm breath on her face. A tingle, partly fear and partly excitement, shot through her and her heartShow MoreRelatedMy First Poem By Samantha871 Words   |  4 PagesThroughout Creative Writing, I have worked on countless poems and wrote several pieces of nonfiction and fiction. I have selected five poems along with two pieces of fiction and one piece of nonfiction. My first poem is called Poem I in the Untitled Series by Samantha. I chose to not name my poems because I didn’t want to limit the reader. The first poem is four quatrains and is about fall and winter. I tired to experiment with end rhythm. I decide to follow the rhythm pattern A, B, C, B. It’sRead MoreLoss of Freedom in Sedaris This Old House and Angelous Caged Bird1274 Words   |  6 PagesSedaris constructs his feelings through narrative writing, and Angelou explores her concerns through descriptive writing with the analogy of a bird, they still are exploring the similar topic of perceived loss. The loss of freedom, demonstrated by the demand to uphold a family image, versus the caged bird, remain very similar in both pieces due to perceived entrapment, disappointment and self-nonentity. Descriptive essays leave room for misinterpretation and confusion, where as a narrative essayRead MoreThe Yellow Wall Paper By Charlotte Gilman1518 Words   |  7 Pagesappeared i n iteracy showing a steady determination to raise their voices against men’s dominancy. Charlotte (Anna) Perkins (Stetson) Gilman is certainly the most noticeable name in American Literature in late nineteenth century. In her remarkable writing, she uses symbolisms as a dominant instrument for fighting inequality and oppression in men’s world. The Yellow Wall-Paper as her most celebrated and intrigue piece of work, represents a spectrum of symbols that address the general concerns aboutRead MoreYellow Wallpaper Essay999 Words   |  4 Pagesillness. Mitchell s rest cure, prescribed primarily to women, consisted of committing the patient to bed for a period of months, during which time the patient was fed only mild foods and deprived of all mental, physical, and social activity—reading, writing, and painting were explicitly prohibited. Gilman once stated that the rest cure itself nearly drove her insane. The parallels between Gilman s experience and that of the narrator in â€Å"The Yellow Wallpaper† are evident in the story. â€Å"The Yellow Wallpaper†Read More Loneliness to Insanity and Madness in A Rose for Emily and The Yellow Wall-Paper1545 Words   |  7 PagesGilmans The Yellow Wall-Paper are forced into solitude simply because they are women. Emilys father rejects all of her prospective mates; the husband of Gilmans narrator isolates her from stimulation of any kind. Eventually, Emily is a recluse trapped in a deprecated home, and the narrator in Gilmans story is a delusional woman confined to her bed. A study of the characterization and setting of A Rose for Emily and The Yellow Wall-Paper demonstrates how the oppressive nature of patriarchyRead MoreCharacter Analysis Yellow Wallpaper1146 Words   |  5 Pageswhose controlling personality demands the main character to get bed rest in a secluded room and forbid her to participate in any creative activity that would exercise the mind, which affects her ability to express any thoughts through her enjoyment in writing. At one time, the narrator’s exquisite imagination might have found a productive escape through her sporadic writing, but forced to repress her thoughts instead leads to her growth in madness. The narrator from â€Å"The Yellow Wallpaper† is an exampleRead MoreThe Yellow Wallpaper, by Charlotte Perkins Gilman790 Words   |  3 Pagesthe yellow wallpaper claiming that there’s a woman enclosed in the pattern. I’m arguing that the wallpaper plays a role in symbolism. In my opinion, it represents how the narrator suffers from the oppression of her husband and the feeling of being trapped. Right off the bat you can already tell that the husband, John, is the dominant figure in the narrator’s relationship. Playing the obedient wife that she is, the narrator happily acquiesces to everything John advices; I mean he is a certified doctorRead MoreThe Yellow Wallpaper Enters the Canon1691 Words   |  7 Pageshome (Gilman). Charlottes great use of detailed words proves that she is a professional when it comes to American gothic writing. Gilman is a master in creating stories that leave the reader completely speechless and in awe. However, it is still debatable if Charlotte Perkins Gilman should be included in the strict American Literary Canon. By interpreting her descriptive writing style, and analyzing her literary devices such as, tone, symbolism, and satire, it is clear that Charlotte Perkins GilmanRead More Women Being Controlled in The Yellow Wallpaper1091 Words   |  5 Pagesmembers. It appears the woman in the story wants to get better and seeks the help o f her husband by making several suggestions, but her requests are often denied. Such circumstances, causes the woman to fall into a deeper depression because she feels trapped and lonely. With good intentions, John controls his wifes life and makes all decisions for her, whether she agrees with them or not. His wife is full aware of the restrictions that her husband has imposed on her, but she is recessive to his controlRead More`` The Yellow Wallpaper `` By Charlotte Perkins Gilman858 Words   |  4 Pagesâ€Å"John laughs at me, but one expects that in marriage.† Charlotte Perkins Gilman wrote, â€Å"John laughs at me, of course, but one expects that in marriage.† In her The Yellow Wallpaper men attempted to prevent women from achieving their intellectual and creative potential by making women be their subordinates. The dreadful wallpaper that Gilman came to hate in her story is a symbolic representation of her personal life were as she gets married her role is limited to that of a domestic servant as her husband

Explore the Use of Magic in ‘the Tempest’ - 1556 Words

Shakespeare Coursework – The Tempest Question: Explore the use of magic in ‘The Tempest’ William Shakespeare’s ‘The Tempest’ highlights a variety of different types of magic. Magic is an important part of this play because not only does it literally give Prospero his revenge but it also shows who has power and who does not have power. Magic is important in ‘The Tempest’ because basically without it there is no play. Shakespeare uses the magic to engage his audience and to almost make the audience believe that magic does really exist. The characters are affected by many different types of magic in many different ways. The character in the play with the most control over magic is Prospero. So in the eyes of the audience he is the most†¦show more content†¦Ariel’s magic is benign- but can be dangerous because not only can he make mistakes under his lack of free will but he is also permitted to not think about what he is doing. Prospero’s magic malignant because although physically he does not harm anyone. Emotionally he harms even his own daughter. Prospero compared to Ariel is actually less powerful yet Prospero is more controlling this portrays his character as strong and cunning to the reader. Ariel’s character however is portrayed as weak, foolish, and mindless. Also Miranda is put to sleep by Prospero we know this because Prospero says ‘Thou art inclin’d to sleep ... – I know thou canst not choose.’ (I. II. 185-186). By Prospero doing this it means that she is unaware of her surroundings including the airy sprit Ariel. This would affect Miranda deeply as if she were to find out that her dad was keeping another secret from her, she could be traumatised and never be able to trust her dad again. She also would probably feel even more lonely than before. The key events are continually affected by magic for example ‘The Tempest’ at the start of the play is entirely magic controlled by Ariel. 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In The Tempest, Prospero experiences a significant transformationRead More Exploring Shakespeares Presentation of the Theme of Power in The Tempest1647 Words   |  7 PagesPower in The Tempest In The Tempest, power manifests itself in many different forms. Three of the main types of power that Shakespeare explores are the power of love, the power of magic and illusion and the power of a master over his slave. He presents these forms of power in a number of ways. In The Tempest Prospero appears to hold the majority of the power. He maintains his control over other characters in various ways, for example he uses the power ofRead MoreThe Tempest - Relationship Between Prospero and Caliban1667 Words   |  7 Pagesthe dramatic methods Shakespeare uses to present the relationship between Prospero and Caliban. ‘The Tempest’ was the last play written by Shakespeare and is widely regarded to be his greatest play. ‘The Tempest’ is thought to have been written about the year 1610. All of Shakespeare’s previously used genres are in the play: romance, tragedy, comedy and history. ‘The Tempest’ adheres to the three classical unities, unity of time, action and place. ‘The Tempest’ takes place in a twenty-four hourRead MoreThe Abuse of Power in Shakespeares Play, The Tempest Essay example976 Words   |  4 PagesThe play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character

Free Will Of The Media - 1614 Words

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Personalizaton through Searches on Google and Facebook is...

Worldwide there is an underlying issue within search engines and social media. This issue is becoming evident as the number of people retrieving their news through Google and Facebook increases. Personalisation through searches is evolving to only show the consumer what they want to see not what they need to see. Online Organiser and Author of ‘The Filter Bubble’, Eli Pariser argues in his TED Talk about the unreliability of not being exposed to information that could broaden our worldwide view and possibly resolve pivotal democratic issues. This cycle of trying to consistently please the users is becoming evident within search organisations and has evolved with technology as algorithmic filters were introduced having an unbalanced and unethical filter. This invisible filter is now generating a â€Å"personal unique universe of information† (Pariser, 2011), for every individual user, enforcing the inability to have a functioning democracy because of the public not receiving accurate and most importantly balanced information. The Filter Bubble’s motive is to create a personalised environment online through the search engine, by getting to know the source of sites it thinks it’s consumer is interested in. The filter then only provides their subject with specific ‘relevant’ information. The continuous flow of information being shown on google and Facebook revolves around the commonly visited sites rather than things that benefit the users worldwide view and get them thinking (Eli

The Host Chapter 39 Worried Free Essays

string(28) " were always surprising me\." Perfect, I grumbled to myself. Just perfect. Ian was coming to join me for lunch, a big smile glued into place on his face. We will write a custom essay sample on The Host Chapter 39: Worried or any similar topic only for you Order Now Trying to cheer me up†¦ again. I think you’re overdoing the sarcasm lately, Melanie told me. I’ll keep that in mind. I hadn’t heard from her much in the past week. Neither of us was good company right now. It was better if we avoided social interaction, even with each other. â€Å"Hey, Wanda,† Ian greeted me, hopping up onto the counter beside me. He had a bowl of tomato soup in one hand, still steaming. Mine was beside me, cooled and half full. I was toying with a piece of roll, ripping it into tiny pieces. I didn’t answer him. â€Å"Oh, come on.† He put his hand on my knee. Mel’s angry reaction was lethargic. She was too used to this kind of thing to really work up a good fit anymore. â€Å"They’ll be back today. Before sunset, without a doubt.† â€Å"You said that three days ago, and two days ago, and again yesterday,† I reminded him. â€Å"I have a good feeling about today. Don’t sulk-it’s so human,† he teased. â€Å"I’m not sulking.† I wasn’t. I was so worried I could barely think straight. It didn’t leave me energy to do anything else. â€Å"This isn’t the first raid Jamie’s gone on.† â€Å"That makes me feel so much better.† Again with the sarcasm. Melanie was right-I really was overusing it. â€Å"He’s got Jared and Geoffrey and Trudy with him. And Kyle’s here.† Ian laughed. â€Å"So there’s no way they’ll get into any trouble.† â€Å"I don’t want to talk about it.† â€Å"Okay.† He turned his attention to his food and let me stew. Ian was nice that way-always trying to give me what I wanted, even when what I wanted was unclear to either of us. His insistent attempts to distract me from the present anxiety excepted, of course. I knew I didn’t want that. I wanted to worry; it was the only thing I could do. It had been a month since I’d moved back into Jamie and Jared’s room. For three weeks of that time, the four of us had lived together. Jared slept on a mattress wedged above the head of the bed where Jamie and I slept. I’d gotten used to it-the sleeping part, at least; I was having a hard time sleeping now in the empty room. I missed the sound of two other bodies breathing. I hadn’t gotten used to waking up every morning with Jared there. It still took me a second too long to return his morning greeting. He was not at ease, either, but he was always polite. We were both very polite. It was almost scripted at this point. â€Å"Good morning, Wanda, how did you sleep?† â€Å"Fine, thank you, and you?† â€Å"Fine, thanks. And†¦ Mel?† â€Å"She’s good, too, thanks.† Jamie’s constant state of euphoria and his happy chattering kept things from becoming too strained. He talked about-and to-Melanie often, until her name was no longer the source of stress it had once been when Jared was present. Every day, it got a little bit more comfortable, the pattern of my life here a little bit more pleasant. We were†¦ sort of happy. Both Melanie and I. And then, a week ago, Jared had left for another short raid-mostly to replace broken tools-and taken Jamie with him. â€Å"You tired?† Ian asked. I realized I was rubbing at my eyes. â€Å"Not really.† â€Å"Still not sleeping well?† â€Å"It’s too quiet.† â€Å"I could sleep with you-Oh, calm down, Melanie. You know what I meant.† Ian always noticed when Melanie’s antagonism made me cringe. â€Å"I thought they were going to be back today,† I challenged. â€Å"You’re right. I guess there’s no need for rearranging.† I sighed. â€Å"Maybe you should take the afternoon off.† â€Å"Don’t be silly,† I told him. â€Å"I’ve got plenty of energy for work.† He grinned as though I’d said something that pleased him. Something he’d been hoping I would say. â€Å"Good. I could use some help with a project.† â€Å"What’s the project?† â€Å"I’ll show you-you finished there?† I nodded. He took my hand as he led me out of the kitchen. Again, this was so common that Melanie barely protested. â€Å"Why are we going this way?† The eastern field did not need attention. We’d been part of the group that had irrigated it this morning. Ian didn’t answer. He was still grinning. He led me down the eastern tunnel, past the field and into the corridor that led to only one place. As soon as we were in the tunnel, I could hear voices echoing and a sporadic thud, thud that it took me a moment to place. The stale, bitter sulfur odor helped link the sound to the memory. â€Å"Ian, I’m not in the mood.† â€Å"You said you had plenty of energy.† â€Å"To work. Not to play soccer.† â€Å"But Lily and Wes will be really disappointed. I promised them a game of two-on-two. They worked so hard this morning to free up the afternoon†¦Ã¢â‚¬  â€Å"Don’t try to make me feel guilty,† I said as we rounded the last curve. I could see the blue light of several lamps, shadows flitting in front of them. â€Å"Isn’t it working?† he teased. â€Å"C’mon, Wanda. It will be good for you.† He pulled me into the low-ceilinged game room, where Lily and Wes were passing the ball back and forth across the length of the field. â€Å"Hey, Wanda. Hey, Ian,† Lily called to us. â€Å"This one’s mine, O’Shea,† Wes warned him. â€Å"You’re not going to let me lose to Wes, are you?† Ian murmured. â€Å"You could beat them alone.† â€Å"It would still be a forfeit. I’d never live it down.† I sighed. â€Å"Fine. Fine. Be that way.† Ian hugged me with what Melanie thought was unnecessary enthusiasm. â€Å"You’re my very favorite person in the known universe.† â€Å"Thanks,† I muttered dryly. â€Å"Ready to be humiliated, Wanda?† Wes taunted. â€Å"You may have taken the planet, but you’re losing this game.† Ian laughed, but I didn’t respond. The joke made me uneasy. How could Wes make a joke about that? Humans were always surprising me. You read "The Host Chapter 39: Worried" in category "Essay examples" Melanie included. She’d been in just as miserable a mood as I was, but now she was suddenly excited. We didn’t get to play last time, she explained. I could feel her yearning to run-to run for pleasure rather than in fear. Running was something she used to love. Doing nothing won’t get them home any faster. A distraction might be nice. She was already thinking strategy, sizing up our opponents. â€Å"Do you know the rules?† Lily asked me. I nodded. â€Å"I remember them.† Absently, I bent my leg at the knee and grabbed my ankle behind me, pulling it to stretch out the muscles. It was a familiar position to my body. I stretched the other leg and was pleased that it felt whole. The bruise on the back of my thigh was faded yellow, almost gone. My side felt fine, which made me think that my rib had never really been broken. I’d seen my face while I was cleaning mirrors two weeks ago. The scar forming on my cheek was dark red and as big as the palm of my hand, with a dozen jagged points around the edges. It bothered Melanie more than it did me. â€Å"I’ll take the goal,† Ian told me, while Lily fell back and Wes paced beside the ball. A mismatch. Melanie liked this. Competition appealed to her. From the moment the game started-Wes kicking the ball back to Lily and then sprinting ahead to get around me for her pass-there was very little time to think. Only to react and to feel. See Lily shift her body, measure the direction this would send the ball. Cut Wes off-ah, but he was surprised by how fast I was-launch the ball to Ian and move up the field. Lily was playing too far forward. I raced her to the lantern goalpost and won. Ian aimed the pass perfectly, and I scored the first goal. It felt good: the stretch and pull of muscle, the sweat of exertion rather than plain heat, the teamwork with Ian. We were well matched. I was quick, and his aim was deadly. Wes’s goading dried up before Ian scored the third goal. Lily called the game when we hit twenty-one. She was breathing hard. Not me; I felt good, muscles warm and limber. Wes wanted another round, but Lily was done. â€Å"Face it, they’re better.† â€Å"We got hustled.† â€Å"No one ever said she couldn’t play.† â€Å"No one ever said she was a pro, either.† I liked that-it made me smile. â€Å"Don’t be a sore loser,† Lily said, reaching out to tickle Wes’s stomach playfully. He caught her fingers and pulled her closer to him. She laughed, tugging away, but Wes reeled her in and planted a solid kiss on her laughing mouth. Ian and I exchanged a quick, startled glance. â€Å"For you, I will lose with grace,† Wes told her, and then set her free. Lily’s smooth caramel skin had taken on a bit of pink on her cheeks and neck. She peeked at Ian and me to see our reaction. â€Å"And now,† Wes continued, â€Å"I’m off to get reinforcements. We’ll see how your little ringer does against Kyle, Ian.† He lobbed the ball into the far dark corner of the cave, where I heard it splash into the spring. Ian trotted off to retrieve it, while I continued to look at Lily curiously. She laughed at my expression, sounding self-conscious, which was unusual for her. â€Å"I know, I know.† â€Å"How long has†¦ that been going on?† I wondered. She grimaced. â€Å"Not my business. Sorry.† â€Å"It’s okay. It’s not a secret-how could anything be a secret here, anyway? It’s just really†¦ new to me. It’s sort of your fault,† she added, smiling to show that she was teasing me. I felt a little guilty anyway. And confused. â€Å"What did I do?† â€Å"Nothing,† she assured me. â€Å"It was Wes’s†¦ reaction to you that surprised me. I didn’t know he had so much depth to him. I was never really aware of him before that. Oh, well. He’s too young for me, but what does that matter here?† She laughed again. â€Å"It’s strange how life and love go on. I didn’t expect that.† â€Å"Yeah. Kind of funny how that happens,† Ian agreed. I hadn’t heard him return. He slung his arm around my shoulders. â€Å"It’s nice, though. You do know Wes has been infatuated with you since he first got here, right?† â€Å"So he says. I hadn’t noticed.† Ian laughed. â€Å"Then you’re the only one. So, Wanda, how about some one-on-one while we’re waiting?† I could feel Melanie’s wordless enthusiasm. â€Å"Okay.† He let me have the ball first, holding back, hugging the goal area. My first shot cut between him and the post, scoring. I rushed him when he kicked off, and got the ball back. I scored again. He’s letting us win, Mel grumbled. â€Å"Come on, Ian. Play.† â€Å"I am.† Tell him he’s playing like a girl. â€Å"Playing like a girl.† He laughed, and I slipped the ball away from him again. The taunt wasn’t enough. I had an inspiration then, and I shot the ball through his goal, guessing it would probably be the last time I got to do it. Mel objected. I don’t like this idea. I’ll bet it works, though. I put the ball back at center field. â€Å"You win, and you can sleep in my room while they’re gone.† I needed a good night’s rest. â€Å"First to ten.† With a grunt, he launched the ball past me so hard that it rebounded off the distant, invisible wall behind my goal and came back to us. I looked at Lily. â€Å"Was that wide?† â€Å"No, it looked dead center to me.† â€Å"One-three,† Ian announced. It took him fifteen minutes to win, but at least I got to really work. I even squeezed in one more goal, of which I was proud. I was gasping for air when he stole the ball from me and sailed it through my goalposts for the last time. He wasn’t winded. â€Å"Ten-four, I win.† â€Å"Good game,† I huffed. â€Å"Tired?† he asked, the innocence in his tone a bit overdone. Being funny. He stretched. â€Å"I think I’m ready for bed myself.† He leered in a melodramatic way. I winced. â€Å"Aw, Mel, you know I’m joking. Be nice.† Lily eyed us, mystified. â€Å"Jared’s Melanie objects to me,† Ian told her, winking. Her eyebrows rose. â€Å"That’s†¦ interesting.† â€Å"I wonder what’s taking Wes so long?† Ian muttered, not taking much notice of her reaction. â€Å"Should we go find out? I could use some water.† â€Å"Me, too,† I agreed. â€Å"Bring some back.† Lily didn’t move from where she was half sprawled on the floor. As we entered the narrow tunnel, Ian threw one arm lightly around my waist. â€Å"You know,† he said, â€Å"it’s really unfair for Melanie to make you suffer when she’s angry at me.† â€Å"Since when are humans fair?† â€Å"Good point.† â€Å"Besides, she’d be glad to make you suffer, if I’d let her.† He laughed. â€Å"That’s nice about Wes and Lily, don’t you think?† he said. â€Å"Yes. They both seem very happy. I like that.† â€Å"I like it, too. Wes finally got the girl. Gives me hope.† He winked at me. â€Å"Do you think Melanie would make you very uncomfortable if I were to kiss you right now?† I stiffened for a second, then took a deep breath. â€Å"Probably.† Oh, yes. â€Å"Definitely.† Ian sighed. We heard Wes shouting at the same time. His voice came from the end of the tunnel, getting closer with each word. â€Å"They’re back! Wanda, they’re back!† It took me less than a second to process, and then I was sprinting. Behind me, Ian mumbled something about wasted effort. I nearly knocked Wes down. â€Å"Where?† I gasped. â€Å"In the plaza.† And I was off again. I flew into the big garden room with my eyes already searching. It wasn’t hard to find them. Jamie was standing at the front of a group of people near the entrance to the southern tunnel. â€Å"Hey, Wanda!† he yelled, waving. Trudy held his arm as I ran around the edges of the field, as if she were holding him back from running to meet me. I grabbed his shoulders with both hands and pulled him to me. â€Å"Oh, Jamie!† â€Å"Did ya miss me?† â€Å"Just a tiny bit. Where is everyone? Is everyone home? Is everyone okay?† Besides Jamie, Trudy was the only person here who was back from the raid. Everyone else in the little crowd-Lucina, Ruth Ann, Kyle, Travis, Violetta, Reid-was welcoming them home. â€Å"Everyone’s back and well,† Trudy assured me. My eyes swept the big cave. â€Å"Where are they?† â€Å"Uh†¦ getting cleaned up, unloading†¦Ã¢â‚¬  I wanted to offer my help-anything that would get me to where Jared was so I could see with my own eyes that he was safe-but I knew I wouldn’t be allowed to see where the goods were coming in. â€Å"You look like you need a bath,† I told Jamie, rumpling his dirty, knotted hair without letting go of him. â€Å"He’s supposed to go lie down,† Trudy said. â€Å"Trudy,† Jamie muttered, giving her a dark look. Trudy glanced at me quickly, then looked away. â€Å"Lie down†¦?† I stared at Jamie, pulling back to get a good look at him. He didn’t seem tired-his eyes were bright, and his cheeks flushed under his tan. My eyes raked over him once and then froze on his right leg. There was a ragged hole in his jeans a few inches above his knee. The fabric around the hole was a dark reddish brown, and the ominous color spread in a long stain all the way to the cuff. Blood, Melanie realized with horror. â€Å"Jamie! What happened?† â€Å"Thanks, Trudy.† â€Å"She was going to notice soon enough. C’mon, we’ll talk while you limp.† Trudy put her arm under his and helped him hop forward one slow step at a time, keeping his weight on his left leg. â€Å"Jamie, tell me what happened!† I put my arm around him from the other side, trying to carry as much of his weight as I could. â€Å"It’s really stupid. And totally my fault. And it could have happened here.† â€Å"Tell me.† He sighed. â€Å"I tripped with a knife in my hand.† I shuddered. â€Å"Shouldn’t we be taking you the other way? You need to see Doc.† â€Å"That’s where I’m coming from. That’s where we went first.† â€Å"What did Doc say?† â€Å"It’s fine. He cleaned it and bandaged it and said to go lie down.† â€Å"And have you walk all this way? Why didn’t you stay in the hospital?† Jamie made a face and glanced up at Trudy, like he was looking for an answer. â€Å"Jamie will be more comfortable on his bed,† she suggested. â€Å"Yeah,† he agreed quickly. â€Å"Who wants to lie around on one of those awful cots?† I looked at them and then behind me. The crowd was gone. I could hear their voices echoing back down the southern corridor. What was that about? Mel wondered warily. It occurred to me that Trudy wasn’t a much better liar than I was. When she’d said the others from the raid were unloading and cleaning up, there was a false note to her voice. I thought I remembered her eyes flickering to the right, back toward that tunnel. â€Å"Hey, kid! Hey, Trudy!† Ian had caught up to us. â€Å"Hi, Ian,† they greeted him at the same time. â€Å"What happened here?† â€Å"Fell on a knife,† Jamie grunted, ducking his head. Ian laughed. â€Å"I don’t think it’s funny,† I told him, my voice tight. Melanie, frantic with worry in my head, imagined slapping him. I ignored her. â€Å"Could happen to anybody,† Ian said, planting a light punch on Jamie’s arm. â€Å"Right,† Jamie muttered. â€Å"Where’s everybody?† I watched Trudy from the corner of my eye as she answered him. â€Å"They, uh, had some unloading to finish up.† This time her eyes moved toward the southern tunnel very deliberately, and Ian’s expression hardened, turned enraged for half a second. Then Trudy glanced back at me and caught me watching. Distract them, Melanie whispered. I looked down at Jamie quickly. â€Å"Are you hungry?† I asked him. â€Å"Yeah.† â€Å"When aren’t you hungry?† Ian teased. His face was relaxed again. He was better at deception than Trudy. When we reached our room, Jamie sank gratefully onto the big mattress. â€Å"You sure you’re okay?† I checked. â€Å"It’s nothing. Really. Doc says I’ll be fine in a few days.† I nodded, though I was not convinced. â€Å"I’m going to go clean up,† Trudy murmured as she left. Ian propped himself against the wall, going nowhere. Keep your face down when you lie, Melanie suggested. â€Å"Ian?† I stared intently at Jamie’s bloody leg. â€Å"Do you mind getting us some food? I’m hungry, too.† â€Å"Yeah. Get us something good.† I could feel Ian’s eyes on me, but I didn’t look up. â€Å"Okay,† he agreed. â€Å"I’ll be back in just a second.† He emphasized the short time. I kept my gaze down, as if I were examining the wound, until I heard his footsteps fade. â€Å"You aren’t mad at me?† Jamie asked. â€Å"Of course not.† â€Å"I know you didn’t want me to go.† â€Å"You’re safe now; that’s all that matters.† I patted his arm absentmindedly. Then I got to my feet and let my hair, now chin length, fall forward to hide my face. â€Å"I’ll be right back-I forgot something I wanted to tell Ian.† â€Å"What?† he asked, confused by my tone. â€Å"You’ll be okay here by yourself?† â€Å"Course I will,† he retorted, sidetracked. I ducked out around the screen before he could ask anything else. The hall was clear, Ian out of sight. I had to hurry. I knew he was already suspicious. He’d noticed that I’d noticed Trudy’s awkward and artificial explanation. He wouldn’t be gone long. I walked quickly, but didn’t run, as I moved through the big plaza. Purposeful, as if I were on an errand. There were only a few people there-Reid, headed for the passageway that led to the bathing pool; Ruth Ann and Heidi, paused by the eastern corridor, chatting; Lily and Wes, their backs to me, holding hands. No one paid me any attention. I stared ahead as if I were not focused on the southern tunnel, only turning in at the very last second. As soon as I was in the pitch-black of the corridor, I sped up, jogging along the familiar path. Some instinct told me this was the same thing-that this was a repeat of the last time Jared and the others had come home from a raid, and everyone was sad, and Doc had gotten drunk, and no one would answer my questions. It was happening again, whatever I wasn’t supposed to know about. What I didn’t want to know about, according to Ian. I felt prickles on the back of my neck. Maybe I didn’t want to know. Yes, you do. We both do. I’m frightened. Me, too. I ran as quietly as I could down the dark tunnel. How to cite The Host Chapter 39: Worried, Essay examples

Perfect Storm Essay Example For Students

Perfect Storm Essay The Perfect Storm by Sebastian Junger was an account of an immense storm and its destructive path through the North Atlantic. In late October of 1991, many a crew of several different fishing ships left their port for their final haul. Little did they know that they would soon cross paths with one of the greatest storms ever recorded. This particular storm would create huge swells, high winds, and hard rain. The system was said to be a perfect storm because all of the elements were just right to create the worst imaginable storm ever seen claimed some meteorologists. Such a storm left little room for rescue if ones boat got into trouble. But there were those daring rescues from the Coast Guard during the storm that saved the lives of many and cost the life of one. These men risked their lives for the safety of others and have earned the title of hero. The Para rescue jumpers and pilots, our heroes in The Perfect Storm, had a responsibility to the well being of everyone at sea. When a distress call was made, it was their duty to answer it to the best of their ability. It seemed to the best of their ability meant do the job until they died trying. These men had undergone extensive training in their fields to prepare for such situations as the perfect storm presented them. The PJs had undergone a highly selective process that many Navy SEALS could not complete. And the pilots of the helicopters and jets showed tremendous skill as they navigated through the rough turbulence of the storm. These men were, indeed, the best of the best. To be the best at what one does not necessarily create a hero for the times. Peak physical shape and sharpness of mind were essential qualities for these heroes in the story. However, there was a little more to their character than what met the eye. These men had all the brute force in the world topped off with a touch of humanity. Humanity allowed them to put themselves in the shoes of the people trapped in the storm. They could then see the gravity of the situation and the importance of their role in their safety. But then again, many readers knew of the danger the crews were in and felt sorry and scared for them at the same time. But you wouldnt catch them out there in the middle of the storm, like a PJ or a pilot, risking their neck for people they did not know. So there had to be another element inside these men in order to separate them from the rest of mankind. They had what some may call, a hint of insanity. They were not insane to take on the task; rather, they had to have a lack of care for their own safety in order to ensure the safety of others. Not many people would be willing to dive into such waters and risk their own lives such as Dave Moore did for the Satori. The perfect storm provided a perfect opportunity for heroes to submerge. Many ships crews were saved because of the humanity and heroism of these rescue teams. But for some ships, like the Andrea Gail, they were caught in the middle of an unforgiving storm and did not have a chance at being rescued. The men and women who risked their own safety in order to save someone elses life have deserved the title of hero. Thanks to the heroism of the PJs and pilots of the Coast Guard, many people lived to tell their story about their experience on the high seas during those fateful October days.I recommend this book to anyone who has an interest for very suspenseful, interesting, realistic-fiction storiesWords/ Pages : 633 / 24

Organizational Growth Strategy Brand Extension - Free Samples

Question: Discuss about the Organizational Growth Strategy for Brand Extension. Answer: Introduction: When a company's existing brand has received a significant level of value and equity with regards to owning a place in the minds of the consumers, enterprises often try to leverage the success by further extending the brand. Ideally, brand extensions can be done in two ways- line extension and category extension (Som Pape, 2015, p. 18). In line extension, a new product of the same class as the original brand is introduced, while in category extension, the company launches a new product of a different class from the parent brand. This assignment discusses the factors that may influence brand extension as a growth strategy management. First, the need to minimize costs of introducing a new brand to the market is one of the factors that may influence the decision to use the brand extension as a growth strategy. The prevailing idea is that it is usually less expensive to launch a new product under a well-established brand than to introduce it as an entirely new brand (Som Pape, 2015, p. 20). This is because the new brand would require a lot of brand promotion and marketing. Another factor is the need to increase the market coverage of the brand. This is especially in line extension, whereby the product introduced falls in the same category as the parent brand (Ogbuji et al., 2014). For example, a company dealing in laundry detergents may create several varieties of soaps and differentiate them, using colors and scents. In doing this, the clients can choose from a wide range of products. Finally, the need to revitalize an old product and diversify revenue streams may necessitate the brand extension. Honestly, a new product introduced in the market with a good taste under the same manufacturer's name may influence the consumers to use old products that were no longer preferred (Ogbuji et al., 2014). A company may also conduct category extension to diversify its revenue streams, especially when it needs to tap new market segments for its product. References Ogbuji, C. N., Ezema Kalu Maduenyoghasi Oluchukwu Samson, 2014. The Influence of Brand Extension Strategy on Marketing Performance of Soft Drinks Firms in Nigeria. American International Journal of Contemporary Research, 4(1), pp. 267-275. Som, A. Pape, N., 2015. Brand and line extensions: an empirical study from the new age luxury industry. Luxury Research J, 1(1), pp. 18-39.

Easy Tips For Writing Essay Questions

Easy Tips For Writing Essay QuestionsOne of the most difficult things in writing an English language and composition question is doing a decent research. These types of questions are always meant to grab the attention of the readers and can make a person fall off his seat from delight. This type of question usually contain a bit of a surprise at the end of it. There are a lot of types of questions that you can do in writing for college entrance exams.There are a few rules to follow when writing an essay. It is important to begin with a purpose and not just be selfish and use the answer. The purpose is to find the most appropriate answer to a certain question. It is always helpful to be prepared before actually writing the essay. There are various ways to prepare essays and here are a few tips.While writing an essay, it is best to put all of your thoughts into one paragraph. There are several writers who write more than one paragraph and include a topic, a conclusion, and a comment. I f you want to have a better understanding of the essay and what you are writing about, it is a good idea to have more than one paragraph. Having too many paragraphs also can make it hard to compose sentences and change points of view.Once you start writing an English language and composition question, you need to have a good flow. It is always better to have a good flow so that the reader will not get confused. The next thing you need to consider is your thoughts. It is important to think first about why you want to do this question. To write the best essay, it is important to think about the reason why you want to do this question.When writing, you need to make sure that you use the proper punctuation and grammar. Punctuation needs to be used properly because it can affect the whole essay. It can make a person who has no knowledge of English language and composition feel awkward. So if there is any mistake, it should be corrected right away. The grammar will show if the writer is f luent or not.The idea of an English language and composition question can change from time to time. It is always helpful to have an idea of what you are writing about. This way, you can come up with the most appropriate answer without forgetting important information.You need to be very careful in choosing a question in order to give the student response. To give the best possible response, it is best to write down everything you want to say in a single sheet of paper. You should not keep the paper in a messy place or try to rush the writing process so that you can figure out the answer.

Architectural promenade Essay Example

Architectural promenade Essay Example Architectural promenade Paper Architectural promenade Paper It depends on a new conception of the function of the wall. The unit of design is no longer the cubic room but the free-standing wall, which breaks the traditional box by sliding out from the beneath the roof and extending into the landscape. This concept of architecture of flowing space, channeled by free-standing planes plays an important role in Mies later development and reaches its supreme expression in the Barcelona Pavilion of 1929. zone houses. the living, sleeping and service areas were isolate from one another in wings, separated by courts. From the horizontal line roofs, the compostion was not at rest, was not concluded or resolved, and so parted a powerful sense of dynamic. This the flow of space was force to the edge. This space became less dense in progressive contours as it ran outwards from the centre. Mies used this spatial technique to define a hierarchy of sub-spaces whitin the plan. Bathrooms, kitchens and storage space are densely confined in the centre of the plan, asn as the volume became frer towards the perimeter, so the use of space implicitly become of more consequence. Mies desing for the Tugendhat House conceived the entrance and supplementary rooms at street level. Sloping level sites provoked house desing that usually either swept out horizontal into space on concrete stalks, or used the space enclosed between a flat rood at the upper level and the slope below to give a descending arrangement of floor level culminating in a double-height section. Analysis of sectional organization Analysis of relationship between interior and exterior The court houses were girdled within walls, intovertedly, with the glazed interior spaces looking out to gardens, thence to the enclosures beyond. Instead of forming a closed volume, these independent walls, joined only by planes of glass, create a new ambiguous sensation of space. Indoors and outdoor are no longer easily defined, they flow into each other. Both horizontal and vertical screens, creating a low of space between interior and exterior. But at the same time, Mies demonstrated a new structural principle, the separation of structural elements from screening elements. Eight chrome-sheeted cruciform columns defined the space, while screen of onyx, marble and clear transparent glass channeled it. In terms of spatial continuity/discontinuity The feeling of endless, flowing space was increased by the hug, floor-to-ceiling panes of glass which formed the outer walls. In terms of fai ade expression and interior arrangements The bold structural pattern in the work of Mies van der Rohe lies in the plan. The transparency of the skin revealed the dynamic strength of the plan, repeated thirty times. Later, the plans become more symmetrical and static, the life on the inside was expressed in the classical order and refinement of the exterior; the quality of the plan can only experience at the ground level. There other means had to be found to express it in the facades. Despite the complex interior, the exterior design is so quiet that one is apt, at first glance, to miss the subtle proportions of the window band and the stairwell. Consideration of qualities of architectural promenade (how the project structures our movement through the building) In all of them aesthetic character depends on movement contained within rigid limits. The few simple elements to which Mies has reduced buildings have been admired for their serenity. But the inner movement they provoke is restless and inexorable. The interiors of Mies most original buildings are like landscapes or city streets. Between their walls the spectator may pause but seldom rest; always there is something around the corner.

Sounds Phishy essays

Sounds Phishy essays The band "Phish" is the greatest live band in rock n' roll today. It's not just incredible music that makes this band great. There is so much more to the experience of a Phish show. When a true Phish fan thinks of Phish, they think of more then just the music. They also think about having fun with friends, meeting new people, and seeing the town that the band will be playing at that night. One has to see a Phish show in order to get the whole idea behind the music. Phish's music is in a class of its own. According to bassist Mike Gordon, Phish plays "bluegrass, Latin, rock, funk, classical, jazz, calypso, hard-core, and Broadway." Phish's music is characterized by simple lyrics, sophisticated instrumentals, extensive musical communication, and extended improvisation. This amazing band from Burlington, Vermont takes you on a mental journey through time and space, while making you dance like no other. They have over 150 great, mind blowing songs. They have fast, high energy songs and slow and slow, soul touching tunes. It is the best dance music around and leaves you wanting more. Seeing a Phish show is like being on a roller coaster that is so much fun that you just don't want to get off. Phish fans are the best fans in music. When you go to a Phish show, you will be amazed by the amount of respect and kindness you are treated with. After seeing a few shows at a time, I feel I had forgotten the meaning of the word "nice". You will meet new and interesting people from all over the world. The best part about it is the everyone is there for one thing, the music. Phish tour is one of the most enjoyable things you could do with your summer. Nothing beats driving from city to city with your friends while experiencing some of the most incredables music of your life. Phish will play in big cities such as New York and Philadelphia, to cities as small as their home town, Burlington, Vermont. Whath...

Life and Works of Burrhus Frederic Skinner Research Paper

Life and Works of Burrhus Frederic Skinner - Research Paper Example His father was a lawyer and his mother stayed at home. Perceptibly, he grew up in an intellectual and conventional household. As a youth, he was described to have difficulties in being socially accepted. One unfortunate event that happened in his life is when his brother died due to cerebral hemorrhage. Unlike any other usual adolescent, he did not actually like participating in the usual college social gatherings. Instead, he was more focused on critiquing authorities. He mainly did this through his journalism. Moreover, he proclaimed himself as a person who does not believe in God in spite of the fact that he was studying in a religiously devout school. After finishing his bachelor’s degree in English Literature, he decided that he would be a writer. He then worked for a newspaper in New York. He did not really become actualized in his first career. Skinner got inspired by the works of Ivan Pavlov and James Watson. Afterwards, he went back to school and got his masters and d octorate in psychology at Harvard. He got married with Yvonne Blue in 1936 and they had two daughters. He then worked at Indiana University’s psychology department. In 1948, his career went back to Harvard until his death in 1990. Works Skinner is known as a psychologist, author, educator, and philosopher. He published many books and journals regarding his theories. He devoted much of his life improving his researches. Lots of his experiments centered on measuring responses to various kinds of stimuli. Until his retirement, he worked on analyzing the human behavior. Skinner became famous for the air crib. It was also known as the baby tender. One of his daughters was raised using this invention. The contraption was made to alleviate Yvonne’s difficulties and worries in caring for their baby. It was fashioned with glass panels as well as with air conditioning. The air crib was invented with the aim to promote the general welfare of infants. In 1994, Skinner was inspired to make this invention when he found out that he would have a second child. In fact, the air crib was commercialized and marketed to around 300 families. It was found to be effective in soothing children and in manipulating the temperature especially during extreme weather. Furthermore, he became known for his book, Walden II. It is about a society run by behavioristic rules (Skinner, 1974). His book talks much about his theory which is called operant conditioning. This simply means that a behavior is affected by the response to that certain behavior. For instance, a child would tend to be obedient when his mother gives him candy as a reward. To concretely illustrate this concept, he devised an experiment. He utilized a special cage well-known as a â€Å"Skinner Box† (Shultz, 2012). It is otherwise called the operant conditioning box. The container has a lever that makes food pellet come out when pressed. The pellet acted as a reinforcing stimulus. When the rat accidentally pushed the bar and food came out, it repeated its behavior. Since the rat got rewarded for pressing the lever, he repeated the same action with the expectancy of having another positive feedback. After some time, the rat kept on pressing the lever until a number of pellets were piled. However, when no food pellet will come out, the rat will learn that its behavior does not result to a reward. Hence, it will learn to stop pushing the lever. Skinner termed this as extinction. Consequently, the rat’s first behavior will resurface if the reward would be returned. In addition, the schedules of reinforcement affect the learning of behavior. In his many experiments, the time and interval of giving rewards influence the rat’

Traditional Marketing and E-marketing Essay Example | Topics and Well Written Essays - 500 words

Traditional Marketing and E-marketing - Essay Example The reason is obvious to this decade where for a customer the phenomena of switching over and over a brand is not a tough decision to make. Since the market is saturated for brands, and competition has swayed every brand to be as good as its competitor, traditional marketing does not work as much as e-marketing does. However there are some factors to which I think traditional marketing is still preferred by many of the retailers. Those factors when viewed in the light of the electronic commerce appear as 'threats' to many of us. For example electronic transactions which are concentrated only within a certain number of product categories, poses a threat to many of the e-retailers (Fritz et al, 2002, p. 73). However there are some other good reasons for choosing e-marketing. The easy integration of the traditional strategic marketing tools, which include generic marketing strategies, competitive marketing positions, and capabilities, into the e-marketing environment provides the consu mer a user friendly edge to opt for the specific brand.

Role of a Match Analyst

Role of a Match Analyst A professional observation was performed at Ware Football Club to critically assess the pre-game methods of research and notation, utilised by the match analyst (MA), who is employed to work with the first team. Wares first team currently competes in the Isthmian Division One North, which is seven divisions below the English Premier League. Match analysis contributes to performance in sport by helping athletes and coaches make informed choices, and has as a result, assumed a major role in the world of sport. Match analysis denotes the exploration of behavioural events which are objectively documented during competition (Carling, Williams Reilly, 2005). Its focus may be on the activeness of one particular player, or how the collection of actions of numerous players are integrated during the game. The analysis of one or both teams can be completed, as the behaviour when attacking and defending can be adapted (Carling et al, 2005). This is particularly beneficial for the match analyst as due to the nature of non-league football, full match highlights of opposition games are limited. This allows the analyst to not only gauge important information about an upcoming team, but also gain an insight into an opponent that Ware are not due to immediately play. A description of the teams tactical pattern of play may be an outcome of the analysis. Tactical analysis is the area in which the match analyst specialises in. Tactical analysis is associated with tactics and strategy. A strategy can be defined as attempting to limit the effects of any weaknesses, while making best use of the persons/teams strengths, in a plan which has been established prior to competition (ODonoghue, 2009). Match statistics and/or video footage are ways in which information can be gathered on upcoming opponents (Carling et al, 2005). Highlighted areas in which coaches could collate match statistics on include for example; the tendencies in the distribution of the opposition goalkeeper, the delivery area preference for corner kicks or whether a team utilises long throws. A scout or an observer can watch the opponents matches and collect the aforementioned data. The coaches who are shown to be more successful in taking advantage of the opponents weaknesses while neutralising their strengths are those who have been better advised about the strategy and tactics employed by upcoming opponents (Carling et al, 2005). The MA however, performs the analysis qualitatively by solely describing areas he deems need to be highlighted rather than a notational collation of match statistics. Carling, Williams Reilly (2009) suggest that this area is surprisingly overlooked within the literature, as emphasis is placed by coaches on their own teams recent performance opposed to that of upcoming opponents. However, in contrast, the setup at Ware allows the analyst to have considerable influence on match days with the data he received from analysing the opposition, particularly with set pieces and individual player instructions regarding characteristics of the opposition. Preparation wise, the analyst does organise himself sufficiently as the literature would advise (Carling et al, 2005). The analyst obtains a fixture list of all of Wares matches, which he organises so he can choose to watch a date of a fixture between a team that Ware are next due to face. Before arriving, the analyst studies information such as a predicted team line-up to familiarise himself with the opposition players. Other basic factors such as arriving to the stadium in good time and choosing an optimal observation position are also highlighted, which the analyst succeeds in professionally achieving. Notational analysis is the method in which these events are accurately and objectively recorded. In the eyes of spectators, viewpoints of matches are often conflicting. Some may differ about what happened while other viewpoints may be wholly incorrect. This is due to highly selective human perception and subconscious bias (Patton, 2002). Individuals may see the game from a partisan viewpoint and as such bring their bias to the game. It has been shown that even the best coaches fail to realise where mistakes were made or appreciate where successful plays began and often, are unable to recall sequences of events correctly (Laird Waters, 2008). If the system of analysis is adapted to the level of play with the data collection methods being reliable and objective, then notational analysis should provide a near enough factual record. The MA utilises a pen and paper based system the most commonly employed (Carling et al, 2005) and includes a limited form of shorthand notation featuring a ction codes and tally marks. Once the game has begun, the analyst does not proceed to take any notes within the first 20 minutes, as he feels that it is more beneficial if he can focus solely on the development of the game. The theory behind this is that critical events and distinctive portions of a competition such as exceptional performances and controversial decisions are often easily remembered by coaches and spectators, while non-critical events are likely to be forgotten (Hughes Franks, 2015). This is both inaccurate and unreliable as a subjective observation process, even for experienced football coaches who have been shown to recall a mere 59.2% of critical events that occur over the course a 45-minute half (Laird Waters, 2008). This inexact ability to recall critical events can lead to a distortion of the coachs perception of performance by events they can remember also referred to as highlighting (Hughes Bartlett, 2008). This form of highlighting, can cause an inaccurate viewpoint of the game in total, particularly when coupled with a personal bias and the emotions of the observer (Hughes Franks, 2004). Summaries of studies involving eyewitness statements of crime can provide some explanations of inaccuracies which may be relevant to the subjective observation of competitive performance (Maslovat Franks, 2008). These explanations revolved around errors in attentional focus, observer bias and an increase in arousal level. Ultimately this lack of accuracy has a knock on effect within both decision making and coaching feedback. This can be improved by utilising video data, which provides unbiased, comprehensive and objective information (James, 2006; Hughes Bartlett, 2008). Furthermore, using a combination of computer and video technologies enable coaches to use functions such as slow-motion and replay which results in a reviewable, retrievable and unbiased analysis of individual and team performance (Lee, 2011). Areas of strengths and weaknesses can then be highlighted based on the selected performance indicators, providing an exhaustive representation of what can be anticipated in forthcoming matches (Carling et al, 2005). In training, these formulated strategies can then be worked on and analysed by the coach. The usefulness of trying out some of these performance aspects (such as using different formations utilising short corner kicks) and behavioural aspects (attitude and commitment) can be evaluated by the teams, and influence team selection (Carling et al, 2005). A performance indicator (PI) is defined as representing some relevant and important aspect of play (ODonoghue, 2009). PIs have been widely used within a coaching context (Hughes et al, 2012) and the academic literature (McGarry, ODonoghue Sampaio, 2013). As football is such a dynamic and multi-faceted sport, it has become very difficult to objectively and universally define PIs. As such, PIs of importance will differ from one coach to another (Hughes et al, 2012). Within these academic (Mackenzie Cushion, 2012, Hughes et al 2012) and practical (Wright, Atkins Jones, 2012; Wright, Carling Collins, 2014) areas of interest there has been a development of the expression Key Performance Indicators (KPI). These KPIs are judged to be more narrowly associated with success for teams or individuals than basic PIs (Wright et al, 2014). Although the PIs and KPIs used by the analyst appear to be mainly in line with the literature, such as aerial strength, tackling ability, reading the game and pressing for central defenders for example (Carling, 2005), there is also an emphasis placed by the analyst on the range of passing in this position. This is an interesting KPI which does not seem to be consistent with what would be expected of this particular position in the literature (Hughes et al, 2012; Carling, 2005). One reason may be that because the analyst has experience in the non-league, if a central defender can play accurate long balls it is a perceived as a good offensive tool for the opposition due to the more direct nature of non-league football in comparison to professional football. It has been shown that analysts and coaches may use the term KPI, to characterise a feature of their playing philosophy/strategy that they perceive as central to their success (Wright et al 2012; Wright et al 2014). As aforementioned, the analyst should devise a quantitative notational system adapted to that standard of play. Utilising straightforward analyses (conversion rates and simple frequency counts) helps to supply a snapshot of performance as a whole, and is of the highest significance to working match analysts within an elite setting (Carling, Wright, Nelson Bradley, 2013). This will eliminate the various issues surrounding the current subjective nature of the analysis. This should begin on the commencement of the game, instead of after 20 minutes where a considerable amount of data is already lost. In addition, combining video and computer technologies enables post-event analysis to produce unbiased, reviewable and retrievable analysis of team and individual performances. PIs should be discussed with the coach and while these can vary from coach to coach (Hughes et al, 2012) it is important not to deviate too much away from the norms.